Wednesday, May 30, 2012

Case Study Research


Conducted on: 3 May 2012

Present: Natalie Styles
                Kathy Styles

Context: Casual conversation
                Notes taken on iPad.
                Prompt questions were used to start the conversation
                Language and turn of phrase have been maintained

Of note: Kathy is Natalies mother

Relevance to Research to Project:

My research focus places emphasis on the importance of the background in the progression of narrative and my honours project will be a short animated film that highlights backgrounds that are based on the real setting of Ashfield/ Croydon in Sydney. One of the things I have come to realise throughout this process of research and the creation of the film is that in order to be the focus of the film, these backgrounds must have a sense of authenticity. This is particularly important given that the location is a real place and that I am looking to capture significant changes that occur over time in the community. This is why talking with a long term resident of the area who has witnessed the change and growth in Croydon and Ashfield will be invaluable in establishing the essence of place that will be critical in my interpretation of inner Sydney.


Background Information:

Kathy was a long term resident of 2 Walter Street Croydon from 1947 to 1967. She left the family home to marry and returned in the late 60s to the area to live with her husband in Thomas Street Croydon. She later left the area to live in other parts of Sydney then interstate to Canberra and currently resides in Brisbane. Kathy has returned to the family home in Croydon on numerous occasions from 1960s through to 2005. She has the unique position in being both a resident and later an outsider with insider knowledge of the area and is therefore perfectly placed to give an overview of what Croydon was like when she was growing up and then how it has later changed throughout the decades as she returned to visit her parents.

Kathy as a Young Girl at Croydon

Prompt Question:
What do you remember about the suburb when you were really young?

Hmmm, probably my earliest memory about Croydon is walking to school with my sisters, we would wear our hats and our gloves oh and we didn’t have bags, we carried little suitcases, Globites they were called. I always loved school. Everyone walked in those days, all the school kids would walk and we would pass adults heading to the train station to go to work. The streets were pretty busy with people, not cars. This would have been in the 50s, so cars were still pretty novel. I remember a time when we didn’t have a car, then we got one when I was about 10 (approx. 1957). It was a dark blue Vauxhall. I remember that car well because we always, without fail had to go on a long Sunday afternoon drive.

Our week was very much a routine. We had school all week and then after school we did our homework then if it was summer we would be out playing with the neighbourhood kids and our cousins, everyone lived so close by in those days, until our mum called us for dinner. The weekends were the best. Saturday was the day we had pretty much to ourselves and in the afternoon without fail we (my mum and sisters) would head up to Ashfield to the King’s Milk-bar right next to the picture theatre. We would be allowed to have a big packet of honeycomb in a cellophane packet and an ice-cream in the pictures. Always a double feature on a Saturday afternoon, I remember that.

Then on Sundays, we always went to church, don’t look at me like that, we did. Well it was mainly for the community social aspect of it all rather than any great religious motives. It was just the ‘done’ thing, everyone went to church. The morning was spent in church and while we were there mum would’ve had a roast in the oven so that when we got home the Sunday roast was ready. It would be a full meal- roast lamb with vegetables. Afterwards we would all pile into the Vauxhall and head on the obligatory Sunday drive. It was a small car, usually it was a hot day and after a big meal it was hard not to feel a little queasy. Add to that a sister with car sickness and you could say that it wasn’t my favourite time of the week.

The family, with my mum getting 'the look.'

 Prompt Question:
Tell me about the gardens, the houses, what was Walter Street like when you were young?

Well, it was pretty much the same as it is now. Our house was the only one that faced the street. I used to play with all the neighbourhood kids. I remember that it was a very open community. We would spend all day outside playing, when we werent at school, wed play cricket in the street. We had a fruit crate as a wicket and if a car came through, which was rare, then we all moved to one side to let it pass. We always left our front door open, you could smell mums cooking. She used to cook everything, but the best things were rock cakes and ANZAC biscuits. She had a big old stove and would bake in it all the time.

She used to sew everything too. That was the way back then. And it wasnt uncommon to see groups of girls from one family all wearing the same style of dress or from the same fabric, cheaper in bulk. They pretty much did everything themselves back then. She also used to make our hats, she was a milliner by trade and you never went out without a hat.

We always had dahlias in the front yard, but the backyard- where the hills hoist is now- was all vegetables. And thats where we used to get our vegetables from. I can remember we used to collect metal milk bottle caps and thread them onto string and hang it over the gardens to stop the birds. All of the seeds came from the vegetables we would eat, mum would save them and then dad would plant them- a cycle of sorts. Money was always pretty tight. We had a little fox terrier called Loamie. Pretty much everyone had a fox terrier in those days, they were hardy little dogs and were never fed tin food always just the scraps off the table. Mum and dad used to breed her and then sell the puppies, it was another way of making money.

Its funny when you think back to what it was like growing up. So many things have changed. Even small things like the hills hoist, I remember we always had a clothes prop and you had to kick a brick underneath the prop to keep it upright against the weight of the clothes. Things were harder, I mean domestically at home. The chores really were chores. I remember the prop man going from house to house selling props and yelling out. We had a lot of traders that would go door to door- like the ice man who would yell out, ICE, and carry huge blocks of ice with an ice pick for the old ice chests. I remember that from my grandmothers house. I remember that we had an old fridge, a big one with rounded edges and a large metal door-handle, it was a Pope I think. The kitchen was different too. It was all cream and green and there was a wall between the kitchen and, what is now the living room, that used to be my brothers room and us three girls were in the back room.

Oh and the toilet. Oh I remember that. Used to be out the back near the shed and it was a nightmare at night. Scary, not for any other reason than that we were kids. We had a chokoe vine growing over the side of it.

On the way to school.
Prompt Question:
When did the area start to change and how did it change?
Well I know that everyone looks back to their childhood and says those were the days, but it really felt like it was. The houses and the base of the suburb remained the same, although little cosmetic changes were added, like in the 60s when the Italians and Greeks moved in they added things like garden sculptures and columns, things we had never seen in the neighbourhood. Then again in the 70s and 80s when the Vietnamese moved in they brought their own style with them and it all sort of added a layer on top of the existing houses that had always been there. I guess the area really started to go downhill in the 80s. Crime was really high in inner Sydney and I remember that Mum and Dad put bars on all their windows and doors and were vigilant about locking up at night. When we would visit, we couldnt park in the street without the car being vandalised or stolen- the car was taken twice when visiting in the late 80s early 90s. Graffiti was a big problem too.  

Kathy as a Teenager at Croydon


All the shops in Ashfield from my childhood and young adult life have gone. In fact not just gone but the actual style of shop has changed. Almost every single shop is Asian, usually Vietnamese. And the majority of the population is Vietnamese. I suppose thats what happens to suburbs, they change as the older generation passes on and people move away. Its starting to change again too, yuppie professionals and trendy pubs. But all the old houses, the mosaic tiling, the iron pressed rooves in the strip malls are still there, I think its all historical preserved now. Looking back is interesting. A lot of memories. A lot of change. Always change.  

Tuesday, May 22, 2012

Hons Seminar Presentation

Here is the seminar presentation I did for Hons update on research and project. Videos have been removed to make uploading easier. The written component (due next week) goes in to more detail than is indicated here. The presentation took 30min.


So What You Been Up To Lately?

'So,' someone asked, 'Whatya been up to?' 

Well, many assignments that have taken me away from my project and then a chance to sit down and get stuck into some preliminary backgrounds to test the visual differences between modern day and 1930s-40s Sydney. The transitions are indicative only, I haven't decided on how the morphing or transformations of the backgrounds will happen yet, although I'm fond of saying, 'We'll do it in post' I'm pretty sure we wont. 

I started by mapping out the street first then layer upon layer I made it into a modern interpretation of Ashfield/ Croydon in Sydney where there are signs of urban decay and change. Then I redid the entire street scene thinking of how the older generation would remember it, the 'back in my day' syndrome. My choices of what to include and what to remove were based on research into the area and case studies with residents who remember things like vegetable patches and fruit trees instead of flowers in the 1930s and 40s.




Sunday, May 20, 2012

A Visit to the Antique Centre

I remember when I was young, my brother and I would loathe going into antique stores; now I love em. Aside from the smell.....I can never quite get past that mothball smell, I love the number of things that you can find that really surprise you.

The other day I ended up at the Paddington Antique Centre. Even on my day off I was thinking about my project and collected some more images of vintage items that should help with the design of items and objects within my animated film.








Monday, May 7, 2012

Character Design

Given the nature of my final project and research focus, it seems odd to be posting about character design. Although my project will focus on how backgrounds progress narrative, there is a character whom we follow via voyeuristic and POV shots as we journey through the narrative. In essence this character is a foil through which we as the audience can see the backgrounds, rather than her being the focal reference point that the viewer relies upon as a guide through the story.

Her basic design is inspired by simplicity, I don't want her to be the focus I want her to be the catalyst that causes the viewer to take in the changing/transforming background. Her first incarnation was in the story beat roughs and it was a look that I stuck to when designing her current state:


 
Her basic shape comes from her shoulders which slump in that old woman way of walking. Her balance is slightly unsteady and always leaning forward after a long life of work. Once she leaves the house her position in society is isolated and insignificant in much the same way that Western societies on a general level seem to treat the older generation. Her clothes add to this feeling that she is slightly out of place and in later versions of the character I researched vintage fabric designs to add to the authenticity of a house dress that has seen much use over the years.

From her shoulders her body fans out and in like an egg or a lemon and her feet in their minimalist design will aide in ensuring that her walk always looks like an unsteady shuffle. Her hands are important as they function in the making of tea in the early POV shots of the film. Compared to her feet, her hands are large 'mannish' hands, a working woman's hands from a generation when women scrubbed clothes, planted vegetable gardens and gutted rabbits (all things my grandmother did) with little thought about the cosmetic appearance of themselves.

In keeping with the Action research cycle of test, experiment and reflect then improve, here is the revised character designs based on the initial idea from the story beats:


From the story beat phase to the second round of character design, I looked at simplifying her shape further. As the audience we rarely see this character front on and close up, therefore in keeping with her catalyst role, her face is left with little detail and I am more concerned with how the character will look as she walks away from the camera. I am pleased with her shape as she faces away from us, she is tangible, solid yet her feet will make her seem unsteady and fragile as she walks. I would perhaps lower her head slightly to create an old lady hunch as in these designs she is standing a little too straight for my liking.

I also toyed with the idea of removing her harsh black outlines which at the moment make her look too in control, too new and too doll like. I want her design to capture her role in the film as a transient figure moving through the landscape, not the focus of the story. So upon reflection and with these changes in mind I went to round 3 in character design:


The self colour lines in this version further diminishes her physical presence on screen, in particular if I retain detailed line work for the backgrounds. She seems to have become almost a cut-out style animation and although I like the appearance as an illustration I am not sure whether it will provide me with enough visual structure to create the old lady shuffle I am hoping to achieve. This will become part of the next phase of testing, in the screen test and composition/layout phase when I start to animate the character and then later add her to the overall background layout to see whether her character design compliments what I am attempting to achieve in this project.

I also worked on her basic construction, keeping in mind the forward leaning nature of her centre line of gravity and her unsteady walk/shuffle style. In these basic sketches I was focusing on the construction of the character thinking primarily of how her weight distribution will impact upon her movement as she walks. I will look to drop her shoulders and head a little more to give her more age but her basic volume and shape should remain the same as it fits the purpose of the character in the narrative.

Sunday, May 6, 2012

First Draft Story Beats / Animatic

The following video is a very early test. Layout has not yet been finalised for these scenes. Timing and camera moves have also not been finalised, if there is a hold on a scene for a long length of time this usually indicates that there is a slow pan or single shot zoom- taking in the elements of the background and objects of significance that tell the story.





Act 2:


Act 3: 




Vintage Advertising & Groceries from the Past

As part of my visual research it was suggested by my supervisor that I have a look at some vintage advertising posters and print ads to get a sense of the colours and styles that were popular in the 1930s-1960s. As I am making the background pivotal in progressing narrative it is vital that they are detailed and are able to capture a particular moment in history through colour and design.

The idea will be to capture the essence of these posters not simply copy them- this is the same kind of approach I have taken in creating objects of significance wherein I tabulated a small sample of objects from the period and then came up with common design features that then enable me to create my own version of a particular object rather than simply choosing a cup and copying it verbatim.

Once again I have used Pinterest as a means of pin-boarding the pictures thus giving me an overall impact of the common design and colour choices that typify advertisements and products from a bygone era. The photos were taken from a variety of sources including antique centres, eBay, Etsy, the Australian Museum and collectors of Australian advertising memorabilia.







The analysis of this collection is to follow shortly and will include a palette study and design features list that will assist me when creating the background details and become a part of my visual reference library.

Saturday, May 5, 2012

Research Musings

http://bellesbookshelf.blogspot.com.au/2011_07_01_archive.html
Have spent the past two weeks working on my experiment, a series of background styles based on a single background from the project. After reading a lot about research methodology I came to the realisation that I am in the process of Action Research. I think this methodology best suits how I am approaching my research given that it is practitioner centred and allows for multiple ways in which to obtain data for analysis- which is exactly what I am doing. Feels good to put a label on it. Although, now that I have these 'experiment' background tests, I'm not sure how I am to test their suitability. I think I will have to decide which one visually appeals but also allows for a story to be told through detail. It is very different to testing software or different materials to create a sculpture. So for the time being I have put them on hold till I research a little more about the successes of the masters of background illustration then I will look into which background style is going to be most effective in conveying story.

I've also realised that at the moment my research is two fold. My overriding research is focused on how a background can tell story within an animation and this has involved research into layout devices and technical advancements in creating a sense of viewer immersion into the environment. Yet in order to get to that stage, my preliminary research is dominated by selecting objects of significance and designing the backgrounds themselves that will tell the story in my project. This added layer of research has allowed me to use a range of both Quantitative and Qualitative research methods to collect data for visual reference. It is this visual reference that will enable me to create authentic backgrounds that will tell a story without the constant reference to a protagonist or narrator.

I think this dual layered approach is going to be the most effective in reaching the common goal of creating an animation short film wherein the backgrounds convey narrative. At the moment it is like I'm on the lower rungs of the ladder where in order to create the backgrounds I first need to research what should and should not be included in the images to convey a particular sentiment at a particular point of the story. The next rungs of the ladder will involve layout and design which is key in the overall theme of my research in looking at how the animator can avoid reliance upon a central protagonist or narrator. This I believe will also be Action research as storybeats become storyboards and an animatic that will test out how this focus on the background will be read by the audience. But don't panic, I haven't been neglecting this section of my research, its just that at the moment its relegated to the role of critical analysis of past masters ready to applied to my own project once the backgrounds and their content have been fully researched.

http://johnkstuff.blogspot.com.au/2010/10/good-direction.html


I have no idea whether this is the right approach, but the emphasis in these classes seems to be here are a range of different approaches use them as you need to give you the best possible opportunity to come to some kind of valid conclusion. So, at the moment this is the way I am headed.

http://www.fimfiction.net/story/6372/The-F-Bomb